The two pieces shown below are work I created for the upcoming “ADORNMENT 2015” exhibit at the Z Folio Gallery in Monterey, California. The opening is December 4th, with the artist reception on December 6th, 3 to 5pm. The show will feature new work from the members of the Monterey Bay Metal Arts Guild.
“Reflection” necklace featuries a beautiful labradorite stone, a small blue green tourmaline, and two of my lampwork glass beads. The special light reflecting properties of the labradorite reminds me of how the changing colors of the sky reflected on the waters of the bay can so dramatically change the colors of the surface.
The “Sea Foam” bracelet features serpentine beads on a forged silver wire link bracelet.
Three new rings created for the recent sale at Monterey Peninsula College. Showing these as examples of the colors that can be achieved on silver using liver of sulfur patina.
Liver of Sulfur for a rainbow of colors on silver –adapted from instructions provided by Katherine Palochak.
2 C. hot water
about a half teaspoon of LOS gel (or can use dry lump form)
1 Tbsp. clear, plain ammonia
1 tsp. salt (I use kosher)
Dissolve the LOS in the hot water, then add the other ingredients. Stir well. Color of water will be yellow.
Dip piece to be patinated into a container of very hot water to pre-heat the metal, then briefly dip into the LOS solution.
Next dip it in a container of ice water to stop the action and set the patina.
Repeat as necessary to achieve the colors you want. Best to build up color slowly. Color will develop beginning with straw gold and ending at total black. Left too long in the LOS and the black can become too thick and flake off.
This recipe is particularly good for the dark purple and blue iridescent colors although I have achieved some remarkable orange and magenta colors as well… as seen on the ring at right in photo.
Try different amounts of ammonia and salt (iodized salt gives a different color than kosher salt), and make color patterns by selectively dipping just certain areas of the piece into the LOS solution.
Allow the patina to dry and set before rubbing it off the high areas of the design with a fine polishing paper or pumice. I also use this process for copper and brass although the colors achieved will be very different. Mostly brown to black.
I use Press-n’-Peel/lazer printer ink image transfer process as a resist for etching my printing plates. I use the Staedtler pens for touch-up purposes when the design doesn’t transfer perfectly. They can also be used for drawing directly on the metal. This ink will hold up longer than Sharpie ink will. I bought a box of ten from Amazon.com at a good price. Update: 2018 I recently switched to salt water etching with citric acid added to the solution and discovered this resist did NOT hold up as well as in the salt solution without the citric acid.
I photographed the recently created “Bird” cuff on a white background and on a black glass background as a test to see what works best for the piece. Both seem OK to my eye… just very different. The black is dramatic, the white seems more contemporary. If I were to list this in my Etsy shop, I might also photograph it with some props from the garden. A leafy branch or two for instance. Plus I need a photo that shows the out-side of the ends as an alternate view.
The brass sheet was originally photo etched to use as a plate for roll printing onto silver, however, I decided it would work better used directly for jewelry. I am now wearing the cuff to see how the polished surface might change over time. The dark background is a heat patina that developed naturally when I annealed the metal for forming.
I made these earrings for my friend Jan in memory of the many happy hours we’ve spent together watching the birds in our shared garden. She helps me to identify the different birds that come and go here.
I photo etched a brass texture plate and used it to roll print the design onto a silver. I then selected and cut the discs to feature two facing birds. The lapis beads were chosen to match a necklace Jan wears.
Update: cards are OK … just not as thrilling as hoped for. Elegant but dark. Next card design will be much brighter and perhaps with a white background. Fortunately, the back of the card tells more of the story.
If Staples ever offers the great deal again, I might also order this one:
Sunflower bracelet business card
While it also features a dark background, there is a lot more color to brighten it up.
Sample created using a combination of techniques demonstrated in my 2010 Color on Metal workshop. Copper sheet with roll printed texture, red and black heat patina using a torch, plus a cold process cupric nitrate patina. I found the formula, instructions, and chemicals at ScienceCompany.com.
In total 303 artists contributed 814 show pieces for the permanent online exhibition. Click on an image to see the details for the work pictured, including a larger image, the artist’s name and statement, plus a link to their web site if they provided one. I found so many new “favorites”… I know I’ll be spending lots of time checking out each artist’s work and reading their statements.If you see a piece you especially like and would like to see more from the same artist (many submitted more than one piece) you can enter the artist’s name in the “search this album” box near top right of the gallery page.
One of my three submitted pieces happens to be the first image on page one because the work is in alphabetical order by title.
“A Gilded Heart” was created for the Monterey Bay Metal Arts Guild 2012 Valentine themed show at Many Hands Gallery. For the beads in this necklace (both the focal bead and the smaller ones), I was experimenting with the different colors of gold that resulted from layering 24K foil over silver rich glass. The hints of color on the small bead to the left of the toggle comes from reducing the metal oxides in the special black glass before it goes into the kiln for annealing.
“Bright Bouquet” bracelet was featured in the 2011 Valentine show at Many Hands Gallery… and later sold at Lireille in Oakland. It is one of a series of flower themed bracelets… each with a different color palette for the glass.
The “Turquoise and Gold” stacked bead was created as a demonstration piece for a tube rivet demo. Details for the technique and materials used are in my April 14, 2013 post.