I photographed the recently created “Bird” cuff on a white background and on a black glass background as a test to see what works best for the piece. Both seem OK to my eye… just very different. The black is dramatic, the white seems more contemporary. If I were to list this in my Etsy shop, I might also photograph it with some props from the garden. A leafy branch or two for instance. Plus I need a photo that shows the out-side of the ends as an alternate view.
The brass sheet was originally photo etched to use as a plate for roll printing onto silver, however, I decided it would work better used directly for jewelry. I am now wearing the cuff to see how the polished surface might change over time. The dark background is a heat patina that developed naturally when I annealed the metal for forming.
Sample created using a combination of techniques demonstrated in my 2010 Color on Metal workshop. Copper sheet with roll printed texture, red and black heat patina using a torch, plus a cold process cupric nitrate patina. I found the formula, instructions, and chemicals at ScienceCompany.com.
In total 303 artists contributed 814 show pieces for the permanent online exhibition. Click on an image to see the details for the work pictured, including a larger image, the artist’s name and statement, plus a link to their web site if they provided one. I found so many new “favorites”… I know I’ll be spending lots of time checking out each artist’s work and reading their statements.If you see a piece you especially like and would like to see more from the same artist (many submitted more than one piece) you can enter the artist’s name in the “search this album” box near top right of the gallery page.
One of my three submitted pieces happens to be the first image on page one because the work is in alphabetical order by title.
“A Gilded Heart” was created for the Monterey Bay Metal Arts Guild 2012 Valentine themed show at Many Hands Gallery. For the beads in this necklace (both the focal bead and the smaller ones), I was experimenting with the different colors of gold that resulted from layering 24K foil over silver rich glass. The hints of color on the small bead to the left of the toggle comes from reducing the metal oxides in the special black glass before it goes into the kiln for annealing.
“Bright Bouquet” bracelet was featured in the 2011 Valentine show at Many Hands Gallery… and later sold at Lireille in Oakland. It is one of a series of flower themed bracelets… each with a different color palette for the glass.
The “Turquoise and Gold” stacked bead was created as a demonstration piece for a tube rivet demo. Details for the technique and materials used are in my April 14, 2013 post.
I am exhibiting the two pieces shown in photos below as part of the Monterey Bay Metal Arts Guild “Made with Love” jewelry exhibit and sale at Many Hands Gallery. The work of over 30 Guild members will be featured for this special event timed for Valentine Day shopping. Details for time and place are on the postcard back (below).
“Marigold” bracelet – (MBMAG postcard designed by Linda Knudson).
Documenting a process. I am slowly working on describing the steps I use in creating original artwork for the photo-etching technique I use to produce pattern on sheet metal.
I find that starting with my own photos gives me a way to create unique patterns that express my interests. These patterns can be applied in many different ways… ending with a great variety of “results” depending on the choices made along the way. Just three of the many possible results are featured in this post as examples. Only three cuffs for now, but I also have ring bands and pendants from the same photo.
Cuff above was first colored with heat and then a chemical patina was applied.
Cuff above has a simple LOS patina only.
Cuff above was first colored with both gold and silver Gilder’s paste, and then with LOS.
Edit May 5, 2013 – I keep starting and stopping with this “tutorial” project because I am not sure I have anything new, or sufficiently different, to add to what is already available on the subject. Just do a Google search for “how to etch metal at home” and you will be overwhelmed by the results. Or an image search for “etched copper jewelry” and many of the results will take you to instructions. This is a VERY popular technique with lots of variations for every part of the process… start to finish. Plus, how useful would instructions for preparing an image from a photo be for someone who doesn’t have Photoshop for transforming the photos? Will Photoshop Elements work? How about the free photo editing programs? One large tutorial or many smaller ones for each step? Lots to think about. Meanwhile, I think I’ll simply report on what is working for me as a way of sharing.
Taking a break from etching experiments to prep and make a stacked saucer bead for a tube rivet demo. I really like the color combination of high karat gold and turquoise and this inspired my choice of materials for coloring the copper and brass.
I started with three 24 gauge 1 1/2″ discs. The fine silver tube is 1/4″ OD. The silver jump ring is soldered closed. After coloring the domed copper discs with first the paint and then the Gilder’s Paste, they were sprayed with acrylic to seal them. The gold leafing pen was used to color the small flat brass washers only. I used a small cross pein hammer to texture the edge of the brass center. The beautiful tube riveting tools from Tim Lazure where used to set and finish the rivet.
Two sides of another saucer bead made using similar techniques. This one features etched copper discs colored with Gilder’s paste and LOS and a copper center disc with a red heat patina.